A publication of the Batish Institute of Indian Music and Fine Arts
History of Indian Music - Part 1
by Pandit Shiv Dayal Batish
Edited by Ashwin Batish
Music is a representation of divine beauty. It is the harmonious voice
of creation positioned somewhere between the regions of the mind and
of matter, a meditator between the spiritual and sensual life as Beethoven
put it. To some it is a higher acquirement than even delight and devotedness
in prayer. It is also a sort of medicine which has the capability
of healing the aching hearts of living beings. It is a universal language
of emotions and a vehicle of human feelings, answering to various
moods of the mind. Perhaps early humans sang and danced because they
found diversion and comfort in moments of monotony and distress.
The Antiquity of Indian Music
It is said that Indian music is so ancient that the story of its conception
cannot be traced. The ancient Puraanaas, the religious books
of the Hindu civilization, and the accounts and references in them,
show that a close relationship existed between religion and music
already by 1000 B.C.E. Hence, in order to trace back the roots of
this ancient art, one may make use of these books and stories. The
musical instruments held by different gods and goddesses<197>for example,
Saaraswati holding a Veenaa (a string instrument similar
to the present day Sitar), sage Naarada holding a Naarada
Veena, Shankar holding a Damaru drum, and Vishnu
holding a conch shell show that there has been an artistic awareness
of music in India since the dawn of civilization.
How Nature Inspired the Creation of Musical Notes
Like commands from a superior, man received cues and impulses for
discovering music from mother nature. Just as beautiful environments,
scenes, shadows and perspectives inspired him in discovering the art
of painting, and physical shapes and images of stones inspired the
creation of sculpture as an art, early humans realized that the sonic
environment - waves of the ocean, gentle ripples of rivers and brooks,
the chirping of birds and humming of bees, love calls of the peacock,
and the infinite variety of fascinating living sounds - was similar
to his emotions and sentiments. He started to interpret his hopes,
wishes, and his ecstasy and excitement of appreciation, by imitating,
repeating and composing phrases from this wide variety of natural
sounds. With the advent of time, this process became music.
This is an excerpt from the Work " Rasik Raga Lakshan Manjari, volume 1, History and Theory of Indian Music, by Pt. Shiv Dayal Batish, Publisher - Batish Publications, 1310 Mission Street, Santa Cruz, CA 95060, USA.
Special thanks to Dr. Ralph Abraham for proof reading this article.
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